Thanks for writing that up Glen. One correction is that the camera had 8 lbs of lead attached - I felt every one of them (just call me the human lift bag
).
I would love to have taken some shots of the clear "window" above the basin but all the heavy gear and strobe flashing/swimming sucked way too much air from my tank. Besides, trying to hold that monster rig up would have given me a hernia - even under water
.
Some quick details about the photography side:
1. Shot some pics at f11 (best crispness for the lens on land) but they were way too dark. Had to switch to f4. We might be able to get by with f7.1 but that will take another experiment run.
2. I'm not sure if changing the f stop changed the hyperfocal distance that much but I will be doing some more OW work with f4 and f7.1 to see where their sweet spot is. The focus looks pretty good on these shots but if we can improve, so much the better.
3. All lights must be turned out and the red indicator lights on the strobes covered. Any stray light shows up on the one minute shutter time. You can see trails and spots in most of the pictures.
4. When we do the real project we will need a couple teams of three divers to get the best light coverage and efficient use of time. We got may-be five shots per dive due to the noise reduction program on the camera taking so long. Logistics of getting the gear down and set up are more difficult and time consuming than I thought. It will probably take all day to get the project completed and the first run may be just practice for those who haven't done it yet. If two teams get two or three dives in, I think we will get some good coverage.
The last two usable shots are on that sandy hill. By the time these were done the backscatter was up a little: