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Thanks @Scubanoobi great info
How far out do you find yourself zooming out to eliminate the vignetting completely? I have the Kraken krl-01 and like I mentioned in my earlier post, I didn't zoom out in any of my photos so I have a lot of post editing to do to remove the vignette and distortion on the left and right.
Does anyone know if the zoom can be set once in the field and then lock in the setting to always return to that zoom setting as the camera is turned on and off during a dive?
Cinelike D is not a log profile, it's just a flatter profile than the standard ones provided. I do find I can get more out of the video in post and it retains more of the shadow details. I wouldn't say that it's a necessity though.I'd be curious to try this. My thought has always been that the real advantage to shooting a flat Log color profile is only really seen when color correcting 10 bit footage, but some recent conversations have made me re-think this.
@Scubanoobi, I'm assuming in your tests you've found it worthwhile to shoot Cinelike D?
[@choiahoy - do you set the focus to Macro for video for photo (or both)?
I use the macro setting for macro video.
You have me curious now, and I'll run some tests later today--I've used most of those settings since I first got the camera.
Yup, you’re right. It makes absolutely no difference in video mode. Thanks for pointing that out!Yeah I tested it a while back. It’s just for photo mode. Let me know if you find out differently.
I think I have to zoom in around 34mm (in 16:9) to eliminate it, 4k starts at 36mm so no issues when shooting 4k.
I don't think there is a way to lock the zoom.