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The fact that I was using the 10-17 on a 1.4X teleconverter doesn't get picked up in the metadata. So it was actually a 24mm fisheye lens I was using. This combination gives you nearly 1:2 magnification on the surface of the dome port with heaps more depth of field than a macro lens. However, getting the lighting right is the hard bit, much more difficult than a macro lens.Your web shows it as 17mm??? Can't say i have got anything like that using my 10 - 17mm fisheye.
And my annoying yellow hose. Actually a few people have complained that the hose is really floaty but this is the first time I had trouble with it, when I was switched to the stage. I left it around my neck for a bit but my reg needs adjusting as it keeps freeflowing when it is not in my mouth and in that position for some reason...
And my annoying yellow hose. Actually a few people have complained that the hose is really floaty but this is the first time I had trouble with it, when I was switched to the stage. I left it around my neck for a bit but my reg needs adjusting as it keeps freeflowing when it is not in my mouth and in that position for some reason...
Does your reg have a venturi control? If so, do you set it to the pre dive position prior to stowing the reg.