PerroneFord:
*sigh*
I don't shoot underwater video, but if I did, I'd certainly use lights. Lighting is the second most critical aspect of capturing images, right after lens quality. I am loathe to say use a filter first, because unless the filter is of excellent quality, less light will reach the lens, and you might introduce distortions in the captured images with a poor filter.
The biggest issues with editing video are:
A. CPU speed.
B. RAM. Get all you can. I use 4GB in my video machine.
C. Disk Performance
D. Dedicated hardware.
E. VTR.
Best of luck to you.
Perrone, you make some good points.
Personally, i teach and use both Final Cut pro and Premiere Pro for Mac / PC. As far as ease-of-use, I find they are both about equal, but FCP seems to be easier for students to learn for whatever reason, probably because its on a Mac.
The previous poster who said fcp was the only way to go is a mac zealot. So am i, but You can use premiere just fine, and I know plenty of people who shoot weddings and the like on Premiere. That being said, 70% of the entrance to last years Cannes edited on FCP, so go figure.
Another program that works very well (And that is used for a lot of outdoor specials) is AVID studio, but that is kind of expensive.
As far as color correction goes, Perrone is right in saying that you should not use a red filter unless you know beyond a shadow of a doubt that you will have pelnty of light AND lighting conditions wont change when going to depth. Since you 90% f the time dont know that, I would say leave the filter off and capture as much light as possible. In the past, before digital color correction to the masses, you'd need / want a red filter. However, with FCP and premiere doing it in realtime (Premiere Pro 2 does it realtime depending on your hardware), you should do it in software unless you have a compelling reason not to. Maybe a *light* red filter would make adjustments a bit less necessary and would give you a baseline with more wiggle room.
Something I would add to your "wish list" is an NTSC monitor! I've done color correction/post for more than a few local and regional things, and having a real honest-to-god TV monitor is essential for knowing what it REALLY looks like. Keep in mind that NTSC stands for Never The Same Color - every TV has its quirks, cheap TV's from wal mart that come with the reds turned almost all the way up at the factory to make the skin tones look "richer" being the most egregious example.
Sorry to say, but i agree with Perrone on digital8. DV is the way to go. it is the future and it is here, so see what you can get. I love the Panasonic DVX-100B for most work above water as the lenses are excellent and it has a couple XLR inputs for audio. Below h20 I don't have any recommendations for a "compact" unit.
Good luck and good filming... PM me if you like
