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I have a 4 cell version of the light on order, as my UK1200 recently died a horrible acidic death.drbill:I wonder if anyone has used these new UK eLed lights for underwater videography? The HID's I've tried are too bright for the uses I'd want to apply them for but maybe the eLed at 6w would work???
Dr. Bill
Mark Vlahos:I have a 4 cell version of the light on order, as my UK1200 recently died a horrible acidic death.
I work in the theatre as a lighting technician and we are starting to have LED fixtures gain acceptance in our industry. One of the major problems is color rendition, there are lots of technical things going on but when I attended a seminar on LED fixtures it was explained in considerable detail.
I will attempt to generalize the problem... White light from an incandescent source is made up of most of the colors of the rainbow (and lots more out of the visible spectrum), when this light strikes an object some colors are absorbed by the object and other colors are reflected. This explains why some things are red and other things are blue. Some of the light is absorbed while some is reflected.
A "White" LED does NOT contain all of the colors in the rainbow, instead it contains some (or perhaps many) spikes of color that together appear to be white to your eye. When this light strikes a particular object that we know to be red, if the light does not contain very much light energy on the proper wavelengths there is not as much (or perhaps any) of the red light to properly illuminate the red object. If this happens then the red object will most likely appear to be a muddy brown or somthing similar. It is roughtly similar to somthing we are all familiar with, namely, the fact that at depth red light is filtered out by the water, we can still see the object but it does not look bright red until we shine a light on it.
For a really interesting experiment, if you own any LED flashlight (underwater or not). Go to your local paint store or the paint department at your local hardware store and look at a large sampling of paint chips under sunlight, then look at those same color chips in a darkened area with your LED flashlight being the main source of illumination. You will be amazed some of the colors just simply go away! Due to the nature of the LED the colors may not be the ones you expect, you will notice that some colors that under sunlight are very similar under LED are very different. I work with light and color every day and I was shocked, in my business the narrow range of color rendition can be useful as a tool, for general illumination for video it would present more of a problem.
For my purposes the LED light will probably be fine for what I want it to do, I will still carry an incandescent light and I will use it to look at all the pretty colors, but for general illumination the LED will fit the bill. The manufacturers of LEDs are making a great deal of progress in this area, but the problems of video and color rendition lead me to the conclusion that at this time any LED fixture and video would not be a good blending of technology, especially underwater where the light from the sun will most certainly have some of the color spectrum filtered out.
Mark Vlahos
drbill:I wonder if anyone has used these new UK eLed lights for underwater videography? The HID's I've tried are too bright for the uses I'd want to apply them for but maybe the eLed at 6w would work???
Dr. Bill
Considering that minus the focusable reflector the light cannon uses the exact same bulb as th halcyon 10 watt HID light I doubt it.archman:Ha ha, I wonder if they'll make a retrofit for the Light Cannon...
d33ps1x:Unless it has some interesting new lense to focus the beam I think you will find it lacking as most LED lights seem to be. Depends on the use though
I have a Tektite Expedition 1900 19 LED backup light that I use along with a scout for backups. It lasts forever but it is a washout compared with the scout and useless for signalling.