catherine96821:
Warren, I was trying last night to take a macro shot with a light subject and a dark background. I could not do it, but I think it was because there was very low ambient light. Can you or somebody give me an exercise of...say shooting an object and getting a black background, in daylight? take a shell on the counter for example, should I be able to shoot that in normal daylight and get the aperature small enough to achieve that effect? How about some baseline settings......
It may not be possible to do so without artificial light, as changing your shutter speed and aperature when using natural lighting will affect all the available light - which means the subject in the foreground and the background will both be affected - brighter or darker, as you change your settings. To get one to stay the same and one to darken without individual foreground and background lighting may not be possible when just using ambient light.
When you are using artificial light like a strobe or a flash, the shutter speed may not affect the lighting of your subject (as the pulse of the strobe is going to be far faster than your shutter speed), but adjusting the aperature will (assuming you are not operating in TTL mode so that your strobe or flash output remains constant). In this scenario, the artificial lighting will have less effect on the background (assuming the background is significantly more distant than the subject). As a result, the lighting of the background would be due mostly to ambient light, which will be affected by shutter and aperature.
Here are a series of shots I took of an object (my cell phone, which just happened to by sitting on the counter at the time). These shots were taken in manual mode using artificial lighting (flash) to illuminate the subject, with some ambient light in the background.
The first series keeps a constant shutter speed of 1/50th sec, ISO 400, and adjusting the aperature from f/3.3, f/5.6, f/11.0, f/22.0.
The second series keeps a constant aperature of f/3.3, ISO 400, and adjusting the shutter speed from 1/50th, 1/125th, 1/250th, 1/500th.
As you can see, the subject in both series remains fairly consistent in lighting while the background adjusts. Also notice the change in the depth of field with the first series as the aperature changes.