C-4040Is there a reason you would recommend/prefer the lower MP models? Did Oly make changes to the 1030 (from the 770) that make the lower MP models more appealing?
4.0 Megapixel (effective), 1/1.8(.56") CCD
f1.8 f8.0
C-5050
5.0 Megapixel (effective), 1/1.8(.56") CCD
f1.8 f8.0
770 SW
7.1 Megapixel (effective), 1/2.33(.429") CCD
f3.5 f5.0
1030 SW
10.1 Megapixels (effective), 1/2.35(.426") CCD
F3.5 - F5.1
OK, here is the theory; todays new higher megapixel cameras actually have a smaller sensor, so the size of each pixel on the sensor is much smaller.
"The more millions of pixels, the smaller each pixel must beand the smaller the pixel, the less light-gathering efficiency it has, and the worse the camera performs in low-light or stop-action shots"
The above quote is debatable, but combined with the cheaper lenses in todays p&s's (less bright) the fact is today's p&s's do perform worse in low-light and stop-action shooting.
The Oly C-4040 has an individual pixel size of .140 microns (I think it's a micron?).
C-5050 pixel size = .112 (whatever it is it's the same, just a little smaller)
770 SW = .060
1030 SW = .042
Just looking at the 770 and 1030, the 770 has ~50% more light gathering efficiency per pixel than the 1030. As a photographer, how do we adjust for dimness? We raise the film speed (ISO), but that also increases the graininess. In digital photography, raising the ISO increases noise, so most photographers leave the ISO low, resulting in dim pixels. Yes there are more pixels in a 1030 image, but are more dimmer dots better than less brighter dots? In many opinions all you have is a large storage issue, not a better image.
Now factor in the lens brightness and look back to the 4040 / 5050. f1.8 is WAY brighter than f3.5, and way more expensive to make. There are still award winning images being produced by those cameras. The 5050 has many extras that make it a more versatile camera than the 4040, but images from the 4040 may very well be superior in low-light conditions. What kind of lighting conditions do we have underwater? One of the selling points of those old cameras for underwater photographers was/is their low-light focus ability, and since the discontinuation of that lens no p&s has come close.
Another issue for many photographers is raw images. I like the Canon S70 for it's small size, wide stock lens and raw capabilities. The lens is no where near as good as the 4040/5050, but it fits in a BC pocket. It also accepts INON AD accessories. There are also other Canon cameras that can be hacked to record in raw. That is what I see as the biggest drawback to the SW line by Olympus, no raw files.
