leesa
i do it the easy way in that when im walking around shooting i get them to just sign a pocket release. I normally carry a couple of types of release (pocket, full sheet, contract style release) to cover the spectrum, but i would rather be safe then sorry. so thats why i try to get a release for everything.
heres my rule of thumb for releases
editoral/ man on street = not required but safe then sorry
advertising = a must have
models = definately especially if they turn big later on
minors = get guardian to sign the release and then get copies of the models and the guardians DL, and a picture of them with the DL next to there head (rather be safe then sorry as a classmate of mine learned the hard way this past spring)
like its been said above i do this to stop those who think they can come back and try something after they have signed a release. for example last summer i took a shot of a sunset that had a person walking on the shore line(i was shooting from a boat about 30 feet from shore) who in the shot had no detail in them at all(ie black on the slide and the prints) but i had shot them in another shot where they were plain as day. well once this person found out that the images were great and people where wanting to buy prints this person came after me saying that they wanted a cut of the sale as they were in the picture, well when they approached me i stopped them cold by showing them the release she signed for me and with line that was highlighted " the release applies to the images that where taken of me today, prior today and in the future" and " i further release any claim to any negatives, positives, prints and any compensation today or in the future" well after seeing that it stopped everything and the person walked away.
but in any case i would rather be safe then sorry so get the release and keep it on file. Leesa if you would like copies of some different releases i would be more then happy to send them to you
FWIW
Tooth
i do it the easy way in that when im walking around shooting i get them to just sign a pocket release. I normally carry a couple of types of release (pocket, full sheet, contract style release) to cover the spectrum, but i would rather be safe then sorry. so thats why i try to get a release for everything.
heres my rule of thumb for releases
editoral/ man on street = not required but safe then sorry
advertising = a must have
models = definately especially if they turn big later on
minors = get guardian to sign the release and then get copies of the models and the guardians DL, and a picture of them with the DL next to there head (rather be safe then sorry as a classmate of mine learned the hard way this past spring)
like its been said above i do this to stop those who think they can come back and try something after they have signed a release. for example last summer i took a shot of a sunset that had a person walking on the shore line(i was shooting from a boat about 30 feet from shore) who in the shot had no detail in them at all(ie black on the slide and the prints) but i had shot them in another shot where they were plain as day. well once this person found out that the images were great and people where wanting to buy prints this person came after me saying that they wanted a cut of the sale as they were in the picture, well when they approached me i stopped them cold by showing them the release she signed for me and with line that was highlighted " the release applies to the images that where taken of me today, prior today and in the future" and " i further release any claim to any negatives, positives, prints and any compensation today or in the future" well after seeing that it stopped everything and the person walked away.
but in any case i would rather be safe then sorry so get the release and keep it on file. Leesa if you would like copies of some different releases i would be more then happy to send them to you
FWIW
Tooth