alcina:
- slow your shutter speed (1/200 to 1/160 etc). Underwater your shutter controls the background colour (light blue, dark blue black etc as you speed up your shutter)
This is true only if you are using a strobe as a primary light, and include the open water that the flash does not expose as the background.
alcina:
The downside for using exposure compensation is that you haven't learned how to expose the image properly. EC is used as you shoot, not after.
I have to respectfully disagree with this statement. (How is that for PC
)
There is no downside to exposure compensation, nor does it necessarily mean that the photographer has not learned to expose the image properly.
Rather than go into technical details, I'll give two examples, and how I would shoot them.
Example 1: Shooting larger fish using a WA lens against a coral backdrop, sunny sky's, no cloud cover, and the light is NOT changing, nor is the depth. This is a perfect setting to shoot in manual mode. Why? because once you get the exposure set, you can just shoot as the light is not changing. Bright and Dark subjects fool reflective meters, and manual settings will ensure that once you find a good exposure setting based on a nuteral scene, you can forget about it, and not worry about the meter getting fooled.
Example 2: Sunny day, a lot of clouds that result in changing light conditions -or- anything that results in changing lighting from shot to shot. This is where I would use a mode like shutter or aperture priority. Why? Well the light is changing, so my settings need to change often as well. The camera will do a good job of making those changes, but as I indicated in Example 1, the meter is fooled by some situations. Here is where exposure compensation comes into play. If I'm shooting a very reflective or bright subject, I will generally add +2/3 of a stop as the subject is going to make the meter think there is more light available then there really is. With digital the great thing about exposure compensation is that you don't even need to set it initially, just a quick review of the histogram, hmm some blocked blacks, solution, open up the aperture a bit by adjusting the exposure compensation. In the film days there was only ONE way to make sure you had things right... bracket.. bracket... bracket...
I think what alcina was getting at is that exposure compensation should be not used blindly without an understanding of what the camera is doing, and that I agree with 100%. But it's just a tool in the box, and like any tool, it can be very useful.