Hi toozler, thanks for the reply. Have you had a chance to look at the filters in question?
Are red filters to block blue or to put the reds back? Or does it mean the same?
I think those filters are trying to not block too much blue as they are for shallow dives, where there is still a good amount of color. As you go deeper, you switch to a real red filter.
I have used a
SRP filter for a HERO2 with the Dive Housing. It was good but it would get bubbles stuck to it for a whole dive.
As of the Polar Pro, I never had and will never have one. They produce the worst quality color correction of them all, similar to the Chinese made generic filters. Stay away.
I currently use the
EelVision filter on a HERO3. It's an internal filter so it won't catch bubbles, won't fall off and it's by far the best color correction I've seen. Yes, you can't remove it to film yourself getting in and out of the water, but I'm beyond the point of being excited about filming that. Does well from 15 feet to 60-70-80 feet. I do also have the snorkeling version, which is pinkish (here is a
demo video)
There are many other nowadays, with flipping and folding and spinning systems, which I find all unecessary (except for the macro diopter part). Keep the GoPro simple, enjoy the dive and forget about what depth you are and if you should switch filters or not. The filter should be one and good enough for a wide range of depths.
On the physics of if, what filters do is only absorb light. The exact hue of each filter makes it absorb a certain portion of the color spectrum. Red filters absorb a large portion of the blue and green and let pass a large portion of the red, oranges, yellows and sometimes, the purples. Whatever light reaches the camera after the filter, is then handled by the white balance.