dumpsterDiver
Banned
- Messages
- 9,003
- Reaction score
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- # of dives
- 2500 - 4999
It'll be interesting to see what it turns out like. Personally I think it will be very difficult to beat the price and features of the SRP Blurfix. The fact that you can screw on different filters/replace filters you bump into rocks with and that they protect the actual lens of the camera is a big plus in my eyes(and why I decided as a poor college student to fork over an additional $40-60 over other flat lens fixes).
There are other flat lenses that are much less than that, I think the Mako lens is like $24 or something and it has worked fine for me for filming in R-5 to depths of 185 feet.
I just got back from DEMA and spoke with a salesman and a GoPro guy who was identified as an "engineer". Both individuals were surprisingly ignorant of the undewater use of the camera.
When i spoke about the white balance/red issue (when going from darlk to bright conditions) the guy first claimed he knew nothing about it, then admitted one other person mentioned it and I asked if this could be a fix for underwater use or if they could make some kind of underwater software for the camera. He said they could do that, but I got the strong feeling it was very low on their priorities.
We spoke about the head mount strap and I told him it was unworkable as currently released (because it pops off your head way too easily) and the engineer said that they had not really understood the popularity of the camera for diving and they were at the show to "collect ideas"...
BTW, the nead strap mount works fine, IF you wear it under a hood, but the engineer said he never heard of that. Another simple option if you wearing a neoprene hood in cold water is to wear an additional thin, inexpensive lycra hood over the neoprene hood to serve as a retainer for the head strap.
I also spoke about the problem with the latch comming loose at depth from the pressure and he said he did know about camera flooding from that (and from wake bording) but said they are still "working on it" and there was no immediate fix in the works in the G-2 release and flat lens release. I explained to the engineer that a rubber band over the latch seems to work fine to keep it locked down when diving. He seemed surprised that a very serious flaw could be handled so simply (for diving anyway).
The flat lens just looked kinda wierd.. It extends out past the edge of the housing on one side AND it completely obscures the front (primary) red light which is used to indicate the camera is filming. The engineer explained that this is OK, because the G-2 camera now has additional (smaller) red lights on the other sides of the camera. However, when in bright sunlight on a boat before a dive, it is tough to see the front red light, I kinda doubt the smaller ones which are now on the side will be easily seen. So, this obstruction of the front red light means that the G-1 version of the camera will not work in the new (soon to be released) flat lens solution from Go-Pro.
They were saying the flat lens was going to be availble Jan 1, but I also got the strong impression that this release date may have been somewhat overly optimistic.
I then made the observation that the G-2 flat lens was so large that it would seem to remove the option for running a rubber band over and around the housing (to keep the latch down). The poor guy had NO answer to that one. If they desigbed the latch with a slot or hole in it, you could probably rig an elastic band that would function. I am sure there is a potential solution, but the two representatives i spoke with seemed to know less about their camera than me, and I am a novice with it.
I've not tried the G-2 camera, but they have apparently not fixed the white balance problem and the new housing which has not yet been released may still have some issues... In any regard, the G-2 camera will work in the old housing with the after market flat lens , as best I can tell.