What you notice is vignetting. It is present in all of the scenes. It is more or less noticeable depending on the nature of the scene and the intensity of the ambient light. The effect is most noticeable in the case of the Mako product.
The distorted corners can be cropped out in editing. I estimate that 20+% of the image is lost when cropping scenes shot with the Mako lens while about 5% of the image is lost when cropping Eye of Mine scenes.
Vignetting is reduced or absent when shooting in R5 16:9 letterbox format, but I do not use that setting for dive videos for two reasons. First, diving has a vertical as well as a horizontal component. R5 is primarily a horizontal format. Second, I find it too difficult to aim and center the subject in letterbox format compared to the standard R4 4:3 aspect ratio format.
See also my video comparing the Eye of Mine flat lens case with the standard GoPro supplied case: YouTube - Simultaneous Comparison: Watertight Camera Housings: GoPro vs. Eye of Mine
Here is the video I shot using the EoM case at 191.6 feet: YouTube - "Evil Trench" Deep Dive to 191.6 Feet (58.4m) Kadavu, Fiji
does changing from spot focus and center focus have effect to reduce/increase the vignetting? for both mako and eyeofmine ?