EL Pistoffo
Contributor
I tried Cam Raw and even though there was barely any color when viewed on the LCD screen, after vid clips were opened with GP Studio, it was easier to adjust. So, I will aim for that in the future. See results below (toadfish was shot in raw mode); the slightly green hues are because at times I was shooting with a magenta filter + auto white balance (I think using the red filter is better despite the low vis/green water at this site).
Will also try filming a white piece (dive slate/towel etc..) before I go out next time. I used to do that with my dslr (stills) but completely forgot (been a while). Thanks.
https://www.youtube.com/watch?v=Z2QuMrJ8VZs
Filming something white at a shallow depth and then using that to WB correct at greater depth may not give good results. The color spectrum changes as you go deeper. It would be wise to film something white more often during the dive, primarily when depth or lighting conditions change considerably. I tend to WB on the sandy bottom or something around that is close to white that's is near as possible to my subject. If your in a different situation then you may have to improvise.
I even tried using a WB card and place it in front of camera but at depth but that is inadequate because the distance between the camera and the WB card ( a few inches) is not the same as the distance of the subject being 4 ft or 20 ft away which is greatly affected by the amount water in between which in turn affects the light reaching the camera. In shallow depths (20ft or less) that method has worked for me though.