howarde:
I would have to say that I have had better results with my WA shots with Manual. It's really easy to switch to Manual on my ike housing.
Question for WA shots - Do you (if you're a WA shooter) set your strobes to FULL, and keep a more open F-stop 5.6 or so? I'm still getting used to the WA thing... Macro shots seem pretty easy to get the desired result.
I'm new to the whole UW shooting thing, but here is one way to think about exposure with WA when using flash. Use the aperture setting to control the foreground exposure, and the shutter speed to control the background (the BLUE!). So if you have a shot where you include a subject three feet away, and one shoots and previews and the background is very dark, then slow the shutter down. This will not impact the foreground exposure, but it will lighten the overall exposure. Common sense, and an understanding applies. If you increase the shutter by a factor of 3X say 1/250 to 1/60 you may just open up the foreground exposure as well depending upon how much flash one is using, and the available light.
This can be done regardless of if your flash is set using Flash TTL, or manual.
Recongnize that if you have great lighting conditions on a shallow reef, one may have to up the flash power to balance it with ambiant light. Since flash allows us to create daylight WB, both UW and Topside, having the flash balanced against the ambiant light helps create more natural colors where lighting is not daylight.
Another thing to remember, WA provides built in DOF.
HERE is a cool hyperfocal distance calculator. If one enters a focal length of 18mm (12mm on a 1.5X sensor), a focus distance of 5 feet, and an aperture of f5.6, the DOF is from 3.28feet to 10.5feet. The hyperfocal distance is 9.45 feet at that aperture, and that is fixed based on the FStop, not of the focus distance.
Change the focal length to 105mm using the same settings, and the DOF drops huge, from 4.93~5.07 feet. And now look at the hyperfocal distance, off the charts at over 320feet. Understanding the hyperfocal distance is generally more useful for topside shooting as UW we rarely (never?) need to have DOF through infinity. However knowing what DOF a lens is capable of based on the focus distance is invaluable.
I look at TTL as just an easier way of controlling the flash. The exposure compensation is on the back of the camera, and when one changes aperture, the flash automatically is going to change to follow the camera settings. So now rather than having one knob on the flash to control the output, one has the output controlled by the aperture, and it's rather easy to dial in exposure compensation when need on the back of the camera, up to four stops seemless increments which is as much or more than many flash systems allow.
As I indicated, I don't currently have Flash TTL, but I'll get there because I think it will allow me to spend less time thinking and messing around with my flash settings, and more time thinking and messing around finding cool stuff and enjoying the dive.
These discussions take me back to a time when I was arguing pro the use of Autofocus, and incamera exposure meters with photographers who based their entire way of shooting on hand held meters, and using distance scales and hyperfocal distance calculations (landscape shooters). One thing I always attempt is to recognize that this is not a religeon we are discussing, these are tools. Nikon, Canon, and now (lagging behind) Ikelite, and others recognize how useful Flash TTL can be, and have spent considerable effort developing the hardware. The market obviously feels strongly about TTL as I can (and did) pick up an SS200 for $250 almost new on Ebay, and a new DS200 sells for $1000, and close to that used IF you can even find one.
Learn to use the tools available, and you are not guarenteed to be a better photographer, but you at least will get exposure, focus, and DOF more in line! The end results is really what we are all after, and it's easy to loose site of that in the discussion over how to get there.
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