Deadheads, Freaks Reunite!!!!

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I followed the Dead between 85 and 91 - pretty much full time for 3 of those years.

Later in 2001 I was the sound engineer for Merl Saunders (Legion of Mary and The Reconstruction Band). I got to meet a lot of people associated with the Dead, and the "extended family". I have some Merl "tapes" from when I did sound for him online if anyone wants to check em out.

http://howardandmichelle.com/music
 
cowboyneal:
The bus came by and I got on that's when it all began,
It was cowboy Neal at the wheel of the bus to never, never land...

not sure if Neal Cassidy was a cowboy... but, hey, what the heck?

he inspired Jack Kerouack's On The Road, and got to drive Ken Kesey's
magic bus ("Furthur")

what else does a guy have to do to get some fame around here?
 
I'm still attending shows, Ratdog and Phil Lesh still put on some great ones. Nice that you can actually see them in small venues with great sound! The crowd is neat too with ages ranging from 16-60 with people still checking them out for the first time.

Here's where I'm getting my shows. I thought a 70gig harddrive would be plenty....it was full in a week!
http://bt.etree.org/
 
H2Andy:
not sure if Neal Cassidy was a cowboy... but, hey, what the heck?

he inspired Jack Kerouack's On The Road, and got to drive Ken Kesey's
magic bus ("Furthur")

what else does a guy have to do to get some fame around here?
There's a dead song where he's referred to as "Cowboy Neal" - I don't know if he's really a cowboy either.

One of my fonder memories from being "on tour" as a sound engineer was the time I got to hang out with Ken Kesey and Ken Babbs, as well as a few other "pranksters" we sat around and had a smoke... drank a shot... and chit chatted. I thought it was cool. Not that it makes ME cool (i'm not really)
 
Neal Cassady 101

"The bus came by and I got on, that's when it all began
There was Cowboy Neal at the wheel of the bus to Nevereverland"
('The Other One', Grateful Dead)

"N.C., secret hero of these poems ..."
('Howl' by Allen Ginsberg)

The real genius behind the Beat movement in literature never published a book during his life. He appeared as a main character in many books, though, from 'Go' by John Clellon Holmes to 'On The Road' by Jack Kerouac to 'The Electric Kool-Aid Acid Test' by Tom Wolfe. His free-flowing letter writing style inspired the young Kerouac to break his ties to the sentimental style he'd picked up from Thomas Wolfe and invent his notion of 'spontaneous prose.' Without Neal Cassady, the Beat Generation would never have happened.

Neal Cassady was born on February 8, 1926 and raised by an alcoholic father in the skid row hotels of Denver's Larimer Street. A car thief with a unique ability to charm strangers,he spent time in reform schools and juvenile prisons and developed the suave instincts of a con artist, although he never seemed to want to con anybody out of more than a ten-dollar bill, a roll in the hay or a good conversation.

A friend named Hal Chase left Denver to enroll at Columbia University, and Cassady traveled to New York to visit him in December 1946. It was here that he met Kerouac and Ginsberg. Ginsberg immediately fell in love with him, and Cassady, who had a hustler's instinct to be whatever the person he's with wants him to be, began a sexual relationship with Ginsberg, balancing it with the numerous heterosexual relationships he enjoyed more. At the same time, he persuaded Kerouac to teach him how to write fiction.

Soon he and Kerouac began the series of cross-country adventures that would later become 'On The Road'. They raced aimlessly across the U.S.A. and Mexico, with Cassady setting the pace and the agenda. Kerouac began writing about their adventures even as they were taking place, but he could not find a style that fit the content, and put the project away in frustration.

He picked the project up again later, after a series of letters from Cassady gave Kerouac the idea to write the book the way Cassady talked, in a rush of mad ecstasy, without self-consciousness or mental hesitation. It worked: 'On The Road' became a sensation by capturing Cassady's voice.

Cassady married several women and fathered many children (much of this activity is discussed in 'On The Road'). He finally settled down with Carolyn Cassady in Los Gatos, a suburb near San Jose, where he worked as a brakeman on the Southern Pacific railroad. He remained close friends with Ginsberg, Kerouac and many others from the Beat crowd, although he never profited from their eventual success. Kerouac wrote in 'Desolation Angels' of the strange way he felt when Cassady dropped by his apartment after the first advance copies of 'On The Road' arrived:

When Cody said goodbye to all of us that day he for the first time in our lives failed to look me a goodbye in the eye but looked away shifty-like -- I couldn't understand it and still don't -- I knew something was bound to be wrong and it turned out very wrong ...

In the 1960's, as Kerouac withdrew into alcoholism and early middle-age, Cassady began an entirely new series of road adventures, this time with young novelist Ken Kesey in Jack Kerouac's place. When Kesey organized a trip to the New York World's Fair in a psychedelic bus named 'Furthur,' Neal Cassady was the madman behind the wheel. This trip is chronicled in Tom Wolfe's 'The Electric Kool-Aid Acid Test.' When Kesey and Cassady were in New York, a party was organized for the purpose of introducing Kerouac to Kesey. But Kerouac and Cassady had been changing in opposite directions, and the meeting did not go well, especially after Kerouac, offended by somebody's frivolous treatment of an American flag, solemnly rescued the flag and folded it.

After a night of hard partying in Mexico in 1968, Cassady wandered onto a deserted railroad, intending to walk fifteen miles to the next town. He fell asleep on the way, wearing only a t-shirt and jeans. It was a cold rainy night, and Cassady was found beside the tracks the next morning. He arrived at a hospital in a coma and died a few hours later. It was February 4, 1968. Kerouac would die a year later.
 
awesome stuff, cowboyneal

another book Neil plays a part in (briefly) is Hell's Angels, by Hunter S. Thompson
(i love that book)

for some reason, when i was in 10th grade, i decided that On The Road was
THE BOOK TO END ALL BOOKS and managed to incorporate it into my
budding-nerd-does-post-punk persona

purty sweet
 
You guys are nuts! I have never ever even heard of any of these people and I am assuming that the "beat crowd" is refering to beatniks?

But hey, I am young and not American, those are my excuses and I am sticking to 'em.
 
i'd be surprised if many people younger than 30 or so would even know the Beats
or their principal figures

that's like ancient history these days

i've always loved the Beats, limited as their repertoire is ... Gingsberg, Kerouak,
Burroughs ... of course those who covered them, Kesey, Wolf, Thompson ...

those were great days in American literature. i don't think there'll be another time
like it ever. demanding books just don't sell well these days. people want to read
the DaVinci Code or mysteries and think they're reading literature

(yes... there is such a thing as literature... and the DaVinci Code ain't it)
 
Let's not even mention 'Romantic Novels' (aka, soft core porno primers...lol...)...I agree with Andy - we're not likely to see another time like the Beat Generation and it's resultant 60s revolution any time soon. Even though I was only 9, I could just imagine what would be going on in the streets if today's governmental goings on were occurring in 1968 (and you'd be surprised (or not) to find out just how many similarities Curious George has to Tricky Dick, especially with respect to illegal wiretapping). I don't want to start the Rush Limbaugh crowd in, but, really, it's getting rather ridiculous at this point...
 
I'm under 30 (28) and recognize all those names and have read at least one book by most of those peeps! On the Road was definitely awesome so was Junkie
 
https://www.shearwater.com/products/peregrine/

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