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- Location
- Lake Worth, Florida, United States
- # of dives
- I'm a Fish!
I am shooting video with a Canon 5d mark II in an Aquatica housing. I am shooting with ambient light, because it was my contention ( right or wrong), that I could get much better long distance "structure shots" of the Palm Beach reef system, if the distance did not darken and become invisible due to the failure of a lighting system to kick back lighting as far as the eye can see.
the "mission" here is to showcase the Palm Beach reef system...a reef system with some huge, spectacular structure.
I also have some plans on shooting some very deep wrecks and reefs, from 185 to 300 fet deep--again, ambient light will capture the structure and the enormity.
My problem, is that the camera constantly resets gain, particularly as the subject matter goes from a dark to a reflective light color. I end up with lots of scenes that have too much brightness. to a degree, I can fix this with NeoHD, but it is too time consuming, and impractical for every clip.
Are there any suggestions out there, on methods to prevent the 5D from constantly switching gain? I know that ideas like having the sun to your back are effective lighting strategies, but at 100 feet or deeper, the subject matter just shows up, and keeping a sense of where the sun is does not appear to be something that most shooters could do--though you guys could correct me here, if this is not true.
Here is a sample which shows the lighting issues I don't like. I "could" go to a big HID light canister with dual video heads...but would have to really know this would solve every thing.
YouTube - Juno Ledge and the Coridor wreck dives of Palm beach
the "mission" here is to showcase the Palm Beach reef system...a reef system with some huge, spectacular structure.
I also have some plans on shooting some very deep wrecks and reefs, from 185 to 300 fet deep--again, ambient light will capture the structure and the enormity.
My problem, is that the camera constantly resets gain, particularly as the subject matter goes from a dark to a reflective light color. I end up with lots of scenes that have too much brightness. to a degree, I can fix this with NeoHD, but it is too time consuming, and impractical for every clip.
Are there any suggestions out there, on methods to prevent the 5D from constantly switching gain? I know that ideas like having the sun to your back are effective lighting strategies, but at 100 feet or deeper, the subject matter just shows up, and keeping a sense of where the sun is does not appear to be something that most shooters could do--though you guys could correct me here, if this is not true.
Here is a sample which shows the lighting issues I don't like. I "could" go to a big HID light canister with dual video heads...but would have to really know this would solve every thing.
YouTube - Juno Ledge and the Coridor wreck dives of Palm beach