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The Pirelli Aretusa is today's snorkel-mask for review. "Aretusa" is Italian for the female name "Arethusa". In Greek mythology, Arethusa (Greek: Ἀρέθουσα) was a nymph and daughter of Nereus (making her a Nereid), who fled from her home in Arcadia beneath the sea, emerging as a fresh water fountain on the island of Ortygia in Syracuse, Sicily. She is the subject of the 1802 painting above by Benjamin West. Pirelli was abiding by its tradition of naming its snorkel-masks after water nymphs from Hellenic mythology.
The Pirelli Aretusa first saw the light of day in
1960:
It appears on its own in the second row of the right-hand page of the 1960 catalogue page. The product description on the left-hand page simply reads "
« ARETUSA » a gran facciale, con ghiera metallica", which roughly translates as "
'ARETUSA', large faceplate, fitted with metal band". "Gran facciale" (large faceplate) is often period shorthand for "full-face", but this not always being the case, I have opted for a more literal rendering to retain the ambiguity. The metal band suggested quality, hence the mask's higher asking-price of 2,250 lire. The band justified its presence by reinforcing the security of the mask window.
1961
Italian: "
Aretusa. Maschera con ghiera metallica. L. 2.250."
Rough translation: "
Aretusa. Mask fitted with metal band. L. 2,250."
No reference to the lens size this time.
1963
Italian: "
ARETUSA. A gran facciale, con ghiera metallica".
Rough translation: "
'ARETUSA', large faceplate, fitted with metal band".
The "gran facciale" descriptor had returned.
1963: English-language Pirelli catalogue
ARETUSA. Full face mask with metallic mount. It is the latest Pirelli achievement in wide visibility masks. Weight: 0.7 Kg. (1.34 lbs.).
In this case, the Aretusa is explicitly identified as a full-face mask, presumably covering not only the eyes and the nose but also the mouth.