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For many of us, we start with a $ budget, then see what can we get for that $.
I agree with BDSC, experienced videographers are not recording video continuous for an hour or more. Video is recorded in clips of 1 minute or less much of the time. Continuous even light output for 1-2 hours is not needed for videography.
the light taper will still occur as it is a function of pack voltage so whether you are shooting for 1 minute clips and then shutting the light off, it will still do it.
For the $ perspective, it is still important to look at because if you have say $800 to spend.
You can look at a new big blue 8300 as mentioned here that's $620 and say "damn it's 8300 lumens for an hour, when it isn't.
Alternatively you can look at this, which from a specs point is "measly" because it is only 5000 lumen, but it is a true 5000 lumen, and more importantly because of the CRI of the light, the video quality is better.
UWLD GEN 5 video light updated info
On the CRI thing and why it's important. See comparison in the link below. Compares a pair of 13,000 lumen lights at 70 CRI to a pair of the same exact light, but spec'd at 10,000 lumen to get 90CRI. Even though it is only 75% of the lumen output, the higher CRI makes the image look significantly better. Big Blue does not publish their CRI, but from videos I have seen it is definitely on the lower end of the spectrum. They also have a really high color temp at 6500 so it's a bit blue light vs. more white light *UWLD is 5600, L&M is 5000* and the blue light is common with LED's. I was actually really shocked when I saw the comparisons below in terms of CRI
High CRI – Best of both Worlds