clive francis
Guest
I found this site while surfing, and it seemed very informative.
that is until i went to their digital section!
I have never seen such an outdated and biased review of underwater digital cameras.
just a few of the errors:
In terms of resolution, contrast, color saturation film picture quality wins hands down. However, when the mantra is good enough either system will give most people a decent 6x4 print. It is only when you require larger prints that it matters. Let's face it though, most of us want a nice BIG print to hang on the wall to remind us of the underwater environment.
For pro's the issue is more clear cut. Digital is no good (yet). If your aim is to see your work on the front cover of a diving magazine (and who wouldn't) only film will do. At magazine quality (300dpi) the file sizes are just not big enough even with high end DSLR's. - the front cover of a dive mag was shot with a digital camera recently!
Remember, these facts are still imperative
Underwater Photography is wide angle photography
Underwater Photography is flash photography
And, unfortunately, digital is not strong in either category - thats funny i thought there was macro as well?
The housed consumer compact digital camera sector of the market is another story. The angle of view problem is probably not such a tough a nut to crack as it can be solved with the addition of a supplementary lens. However, will the lens mount be compatible with existing systems? No, I didn't think so! - not such a problem as there are many housing that have the same size thread, plus there are adaptor rings
Compacts are worse! No TTL at all and no prospect of anyone ever making one. The problem is compounded by the fact that most people wanting to get into U/W photography buy the camera first, then the housing. Have you seen how many cameras are out there. It used to be the familiar names (Nikon, Canon, Kodak, Fuji) but now you have Sony, HP, Epson and so on.
There are some universal workarounds. Sea & Seas solution is a strobe with 12 power settings! Youre supposed to take a test shot, compensate this dial, then hope your subject comes by again! - thats funny olympus use ttl as do quite a few others
here is the url digital photogrpahy underwater
i sent them an email suggesting they look at the market again and try to write an unbiased review
it might help if others do the same.
that is until i went to their digital section!
I have never seen such an outdated and biased review of underwater digital cameras.
just a few of the errors:
In terms of resolution, contrast, color saturation film picture quality wins hands down. However, when the mantra is good enough either system will give most people a decent 6x4 print. It is only when you require larger prints that it matters. Let's face it though, most of us want a nice BIG print to hang on the wall to remind us of the underwater environment.
For pro's the issue is more clear cut. Digital is no good (yet). If your aim is to see your work on the front cover of a diving magazine (and who wouldn't) only film will do. At magazine quality (300dpi) the file sizes are just not big enough even with high end DSLR's. - the front cover of a dive mag was shot with a digital camera recently!
Remember, these facts are still imperative
Underwater Photography is wide angle photography
Underwater Photography is flash photography
And, unfortunately, digital is not strong in either category - thats funny i thought there was macro as well?
The housed consumer compact digital camera sector of the market is another story. The angle of view problem is probably not such a tough a nut to crack as it can be solved with the addition of a supplementary lens. However, will the lens mount be compatible with existing systems? No, I didn't think so! - not such a problem as there are many housing that have the same size thread, plus there are adaptor rings
Compacts are worse! No TTL at all and no prospect of anyone ever making one. The problem is compounded by the fact that most people wanting to get into U/W photography buy the camera first, then the housing. Have you seen how many cameras are out there. It used to be the familiar names (Nikon, Canon, Kodak, Fuji) but now you have Sony, HP, Epson and so on.
There are some universal workarounds. Sea & Seas solution is a strobe with 12 power settings! Youre supposed to take a test shot, compensate this dial, then hope your subject comes by again! - thats funny olympus use ttl as do quite a few others
here is the url digital photogrpahy underwater
i sent them an email suggesting they look at the market again and try to write an unbiased review
it might help if others do the same.