Settings on SP-350.. custom settings

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Scuba_Jenny

dirty-finned dive goddess
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I have been using the underwater macro (and surprisinginly the landscape setting) a lot lately, but don't like the .jpg default setting. Is there anyway in "my settings" to copy the macro and change the .jpg to a higher res setting, or raw? Or is there another way? I can't even find out what the default underwater macro settings are. is there somewhere that tells me what it is?
 
SJ,
SP-350 can save in jpg and raw (at max. resolution). You need to post process the raw file.
Instead of camera UW default setting, better you use manual setting, and set to custom mode. You can set custom 1,2,3,4 for macro 1, macro 2, WA, and natural light.
Strobe will help you lot but if you don't have, the sp-350 internal flash is okay for macro up to 20 cm.
For macro 1 (up to 20 cm) my setting is ISO 80, M, F8, 1/500, vivid, cloudy WB, flash force at min, macro on, and strobe manual.
Alhough raw will give you more room to play, but for macro is not very crucial at least for me, too lazy. For natural light, raw will be very usefull if you don't want to adjust the WB every 2-3 m.
 
Thanks!
 
Google the OLY Sp-350 manual that's on-line...........it's out there..................


shooting in manual is your friend.


LOVE my SP-350
 
Here are a few settings gleaned from a very active SP-350 forum from about 6 years ago:

Part one:

#23
Blackout issue:
I just got an SP-350 and PT-030, and have been playing with it the last few days. I haven't used it underwater yet. I researched my purchase on wetpixel and found almost no previous users, and the same issue came up. Fortunately, one owner found a solution not even known to Olympus. Hope this helps "If you go into mode menu, select camera, scroll down to histogram (last item) and select "+-On" the LCD will display at low light (no histogram) and you should see all light levels. You go into menu, mode menu, then select the setup menu. Then arrow down until you run across what appears to be a digital representation of a histogram (its the 4th screen down and the 4th option on that screen). Select this histogram and turn it off. I think Olympus tried to make the screen an active histogram for the novice. Unfortunately when there is low light, the screen is completely black...even with the flash enabled. When you turn the histogram function off, manual mode reverts back to normal." Thank you to CE4Jesus at Wetpixel forums for this and other info he helped me with while choosing this camera.
So far I'm very happy with this camera. If you use it in auto-mode, you get very iffy pictures, but there are a ton of pre-set scene modes including "underwater wide 1" which uses autofocus, "underwater wide 2" with focus fixed at 15 feet, and underwater macro. There are also macro and super macro settings which will allow focus from less than an inch away. The flash level is adustable. The camera will take pictures in raw format and convert them on camera. There is also a program included called Olympus Master that includes raw conversion and editing, but at least on my ancient (Athlon 950) pc, it is painfully slow, as in ten minutes for each edit and no batch editing-each change must be applied separately. I'm looking for a better raw converter program. If you buy this camera, expect to spend a bunch of additional bucks on accessories. It has 25mb internal memory but doesn't come with a card. The xD cards it uses are readily available, but pricey. I would recommend the max.
Currently 1gb, in the future, supposedly up to 4. I bought mine through Fry's outpost for 65 bucks. They list at 115.00. Costco sells a 512 for $59.95. The camera comes with a one use li battery (CR-V3) that has good capacity, but is pricey. You can use two AA's, or AA NimH rechargeables. I haven't tried those, but the nominal capacity is really good. I got a rechargeable CRV-3 and charger/car charger kit from Radio Shack ($59.95, ouch) because I wanted it right away. I've had really good luck with SterlingTek batteries in the past. They sell the battery for $9.95 and the charger for $19.95 on line, but the nominal capacity is quite a bit lower than the Radio-Shack one. I don't know how this translates, but their battery for my Sony had higher than the original and I got two for half the price of one original Sony battery. I'm also looking into filters for underwater use. I've heard good things about the "magic-filter" gel filters and there are also some threaded filters available in the size of the housing port thread. Any suggestions? Hope this helps. I'll post some pics after I go diving with it.


#25


Battery issues:
Not a deal killer, so far, and I've got too much invested e.g., camera, uw case, green water filter, memory, battery/charger, but there are issues. When I first charged up my new battery and put it in the camera for the first time, a few seconds later I got an empty battery warning and the camera stopped and retracted the lens. This happened a couple of times. I thought maybe the battery wasn't fully charged, so I put it back on the charger and got a full charge reading. I wiggled it and got the red light again, so I left it on. In a few minutes it read green, so I put it back in the camera and it worked fine. I got about 45 minutes of use out of it. I thought the issue was my radioshack charger, and it still might be, but I've since read posts on both wetpixel and dpreviews from numerous SP-310/350 owners who have had the same issue. The common theme on those seems to be the use of NimH AA batteries, which have more nominal capacity, but lower voltage (2.4 combined vs. 3 for the CRV-3). It seems the camera may have a voltage threshold (2.8v) according to one of the posters that causes the low bat signal to come on. On the other hand, many of those posting took 45-50 more pictures after the signal and taking the battery out and reinstalling it fixed mine both times. After many apparent e-mails to Oly and visits to repair shops, the concensus seems to be 1) use a CRV-3, not AAs and 2)although putting up a wall, one poster got a "we've got a firmware fix coming in February" out of an Oly repair outlet. I'll reserve judgement until I've got some hours on it and keep posted on the issue.


#27
Wide angle lens
Oly makes an adapter for the camera body #CLA-9 for $29.00 and both a wide angle and 1.7 lens for it @$99.00 each, but unfortunately they can't be used in the UW case. The UW case has a 46mm thread adaptor on the port ring, but I don't know how that matches up with existing lenses from Inon, etc. Maybe someone else can answer that one. For filters, UR Pro makes 3 different filters in glass or plastic to fit on the 46mm thread. I ordered a green algae one, and will probably get a CYA for blue water diving. They are $77.00 each plus $14.00 S&H. The CLA-9 for topside uses a 34mm thread.


#31


On the wide angle lens, I just picked up a download on Wetpixel forum. Sea and Sea makes one that works, using a 52mm adaptor. I'm not home, so I'll give you the URL info in my next post. I've posted some pictures from my first dive with the camera. They were taken in 70 ft. of green water with about 10 ft. vis and plenty of the usual Monterey floating particles. All of them were with std settings-UW Macro and UW wide 2 on HQ or SHQ jpeg. They were taken with the built in flash. These are my first UW pics with a real (nondisposable) camera, so don't beat me up too badly.
On the white balance, instructions are in the advanced manual cd, but basically, there are three ways to do it. You can use auto white balance, which changes for each shot, fixed white balance which keeps the settings from the first shot. (Hold the button half way and it sets focus and WB) or manual white balance (the little picture of a rectangle with two bottom corners framed) I haven't got the manual mode totally figured out, but you have to fill the whole frame with your dive slate, WB card, white sand bottom, etc. and either hold the button half way or take a picture (I haven't figured out which yet). The manual cautions to keep shadows out of the frame. If anyone reading this can tell me how to fill the whole frame, and still get the WB at the correct distance, please let me know.


#34


link for lens info
Here's the lens link: http://www.digitaldiver.net/yabbse/i...16418;start=15 There's a nice picture on it and everything, along with a bunch of discussion on flashes and stuff. My filter came today. Oops. The thread on the filter is 46mm but it's internal, just like the one on the housing. I e-mailed back UR Pro for a solution. Hopefully they have a reversed model or maybe an extenal threaded 46mm sleeve adaptor that will fit inside of both?


#48
About 1/3 of the shots are edited. The rest were taken on the camera presets. The ones that are green and blurred were taken with natural light using a filter. For natural light in murky water, you'd better have a tripod, under expose and correct them with a post-editing program. The flash makes a huge difference in freezing the action. The speed depends entirely on the settings. The fastest way to shoot is with manual focus. You can use the 4 "MY" settings to preselect the aperture, speed, focus, file size, flash settings, etc. A lot of my better pictures have been taken in the built in preset modes, especially UW Macro. If you want to shoot RAW or SHQ modes, yeah, you'd better be ready for about a 10 second wait between shots. This is especially true if you do RAW with a SHQ back-up. That hasn't been really a problem for me because if you're doing Macros, you really have plenty of time. The bigger issue for me has been my middle aged vision trying to see what mode I'm in so I can switch out of macro to get a prefocus action shot. So far I've missed whales, seals and dive buddies because a shot comes along and I'm still in Macro autofocus mode. Honestly though, most of this is my ineptitude. Now that I've had a few dives to play with it and get used to the tons of settings, I'm starting to get quicker on the draw. For a complete bozo with zero UW photography experience, this thing has really taken some remarkable pictures despite me. I can't wait to get my strobe and get rid of some of the backscatter.


#65


You can get over an hour of constant-on use on a CRV-3 rechargeable battery. If you're shooting RAW, get a LOT of memory. I generally go through a 1G card in a single dive. (I bought a second one last week when Fry's had an in store sale for $49.95) Hopefully, bigger xD cards are coming. I heard that faster ones are.("H" series?) I ordered a Sunpak strobe, because I'm suffering "photoshock" on my budget. It is slave only. If you check out Wetpixel forums, CE4Jesus bought the Oly strobe and UW case for it for about $200 on E-Bay stores auction, which does all the functions but lacks power. From what I understand, if you want to use TTL, it's either the Oly or you have to get a special adaptor for your S&S, Ikelite or Inon. I don't know enough about the strobes to really answer that one accurately. If you're not using RAW, you can shoot hundreds of JPEGS on a gig card. You'll find that starting out, the standard UW macro and UW wide settings work really nice for basic JPEG pictures and you can branch out from there. All the shots in my gallery were done with this camera. Feel free to ask about any of the setting info, as there are lots of choices and the advanced manual is about as clear as mud. It took me almost 3 months to get fully comfortable with all of the manual settings, and I'm barely there.


#99


I have been using the SP-350 on the surface for a few months. I like the camera. Its very portable (fits in my pant pocket), and the images are clear and sharp, with good color.
I finally had a chance to use it underwater during the Avalon Clean Up.
I was experimenting using the camera with no strobe and setting the manual white balance. The good news is that the white balance works really well, but the bad news is that I had to up the ISO rating to get the shots, thus degrading the overall quality of the images.
I mounted a flashlight on the hotshoe bracket, and used that for a focusing light. It worked well, unless I got the spot in the picture. I need to put a defuser on the light to get rid of the hot spot. With the light, the focus was quick, and the view finder bright.


My favorite shot is http://www.kewlpics.net/stevea/catal...s/P2250423.htm


As to which I like better, the 7070 or the sp-350? I think that overall I like the 7070, but that could be because I have spent more time underwater with it. The 7070 has more wide angle coverage.
But the 350 has that fantastic preview screen. By the way, turning off the histogram does allow you to use the screen in manual mode. It still darkens, but it still bright enough to be useful. I will be diving with the 350 again in a couple of weeks, this time with the strobes.


I like the 350 enough that I would not be devastated if I lost the 7070. I'll post about my next dive, using it in my more 'normal' mode.


#120
The only ones I know of currently are the ones on the previous post-two back from this one. The lens thread is 46mm. That's the size I bought my filter in, and it fits fine. The outer mount for S&S 16mm for Nikonos is 52-58 adaptor for the 67mm lens according to the thread I referred to. (after looking back I goofed twice-once calling it 52-56 and once on 68mm instead of 67) I think the 16mm works out to 100 degrees, but I'm not certain. That's not really an area of expertise for me. I have no idea even what the 16mm refers to. The digital diver thread is a fair amount of info, and Old Diver plans to post pictures from a Manatee dive that he took with the Epoque. Check the PT-030 wide angle thread. Don't ask me how you use a 52-58 adaptor on a 50mm o.d. lens ring, but the guy has a picture and all the stuff is very clearly marked. Also on a previous post either here or on Wetpixel, Ryan said Inon would have a mount for their (WLA165 I think it is) in late March. I keep looking on their InonAmerica.com website and it isn't there yet. Their mounts are pretty cheap. Only like $30 or so, and the lenses aren't bad either. They have a great reputation for quality as well, as does S & S.


#130


I just checked on all the modes, plus the scene settings you used. I had flash on all of them except UW2 which is designed as a quick shot with fixed focus. It is your fastest setting (like the sport setting on land) It didn't flash, which it has in the past.
I went into the camera setting and had flash on sync 1, internal+strobe.


I pressed the flash button (lightning bolt next to power) and changed it from the circled lightning setting to the auto setting. Blink, flash. Give it a try. You probably have a base setting on the flash that needs changing. Just put it in the mode you want, and push the button till you get to auto, then retry it. If it has the lightning in a circle, the flash is off. All the flash modes are explained from page 43-47 of the advanced manual CD. I printed mine and keep it with me, but be patient, with all the settings available, these things really do take a couple of months of playing with on dry land to really get comfortable with all the different things you can do in manual mode. UW macro should fire the flash all the time. Mine flashes even pointed at a bright light. Only UW wide 2 has a no flash base setting so you can take quick repetitive action pictures. Do go into camera settings and make sure the flash is set on internal + strobe. If you've messed with it, and can't get it back to base settings, there's a reset in the menu as well. Good luck and yell if you still can't get it right.
 
SP-350 TIPS.

PART TWO:
#140


READ THE MANUAL!!!! There are very good, explicit and overly cautious directions in the user manual for the housing. I did not take the empty housing to depth as recommended, but I did soak it in a tub of water for about half an hour, push all the buttons, etc. then check for any dampness or leakage inside.
Double and triple check the o-ring under bright light. If there is a salt crystal or a little cotton fuzz or a hair on it, it WILL leak. Make sure the little strings for the lens cover and screen boot are well out of the way of the housing when you close it. Put the dessicant in seam first under the camera and make sure it's tucked well out of the way when you close the housing. Open the housing only in clean environments, and take off your gloves and wash your hands first. Don't lean over and drip on it. Before you reclose it, hold it up to bright light (like the sun or your dive light) and carefully inspect the o-ring and closing surfaces. Don't spray water on the housing to clean it. Soak it in fresh water, and carefully wipe the salt crystals off the o-ring and groove before you regrease the o-ring. Don't use anything fuzzy to grease the o-ring. Clean fingers work. Make sure the o-ring is in straight and stays in when you close it. Redo your whole procedure, including the dunk tank test EVERY time you come back from a dive trip. Cross your fingers and be prepared to buy a spare if you flood. Most UW users seem to eventually, and it's usually user error.
Have a blast taking pictures, and as the song says "Don't worry, be happy!"


#146


There is a flash sync setting which should control both flashes. Normally if you are using an external flash, you need to either turn off the internal one or block it with film or black tape to keep the backscatter down. What is probably happening is that your flash is firing early in response to the preflash signal that the camera uses to determine flash strength. Many strobes have a preflash setting. You might check with sealife or your sealife dealer. Another thing you might try is setting your internal flash setting to "slave". This may alter the preflash and solve the problem. The slave setting is in the camera's menu. If you don't find it under "camera", look under "settings". When you have tried the external flash and slave settings, if it still flashes early, then the strobe is probably the issue as it was designed for a camera with no preflash. Definitely ask someone familiar with your strobe before doing anything drastic.


#150


Since graduating from the UW presets so I could shoot RAW, I've been using 3 base set-ups in MyMode. One is Super Macro, with a basic setting of f5.6@1/80, one with shutter priority (S) @ 1/60 and one with Aperture priority @f5.6. I've only had one dive with the strobe, and lots of teething pains per previous post. Once I got the strobe set properly on ttl-auto and found a good distance and angle I got some very nice pics with all three settings. Overexposure has been the biggest issue. Thank God for RAW converters. I've been toying with trying the UW presets with the strobe, as I had some really nice shots backscatter notwithstanding using just the built in flash on UW Macro and UW Wide 2. I'd just hate to waste a dive finding great shots and then come back with unfixable jpegs. Hoping when my second strobe arrives that it helps with wide shots, but in Monterey/Carmel water I might have to pop for a WA lens to get close enough to peer through the Plankton. I've also had some focus issues lately with SMacro and may set a fourth MyMode to Macro (and maybe get a Macro lens when the wife recovers from Camera sticker shock?) I'm also hovering between spot focus and i-esp.


#163


I wish I could give some magical sage underwater guru advice but I just followed the directions that came with the flash. There is a manual sync setting that you have to adjust the first time you use the flash. The setting has 5 major pre-flash "typical" settings inside the actual flashhead where the 4 AA batteries are. The directions are to shoot a picture of yourself in the mirror until you can see that the flash head is firing from the camera strobe. You should be able to see the flash in the picture. "I love digital" The only other thing I did was to mount the fiber optic cable that comes with the flash onto the front of the housing in front of some black electrical tape that blocks the cameras actual flash from creating backscatter. Again I followed the directions from the Olympus housing and the Sealife flash. Good luck. I am still playing with some of the ultra macro settings. On F8 250 I can get literally right on top of small guys but I am getting overexposure. Still playing.


#167


First Pics with Loc-line strobe rig
Went out Saturday morning in 8-15 foot vis with lots of chunks. Loc-line rig worked awesome. Slightly negative. Well balanced. Loc-line adjusts quickly and easily to pretty much any position.
Had problems with strobe positioning. Sometimes snapped my shot with the strobe behind a rock for an all black picture. Still learning to adjust the camera for the strobe. Pictures were consistantly underexposed, some badly. Thanks to the wonders of Rawshooter, I saved most of them. Many came out quite good. Still having focus problems with SuperMacro. Sometimes I get great detail, sometimes it's totally out of focus. I think this is due to stuff floating around in front of the AF sensor and fooling the focus. Shot mostly in TTL-auto, and had trouble with exposure, plus the thing took all day to set the focus and flash. I'm going to try different strobe settings on Tuesday at Lobos. I'm still getting a lot of shadows and can't wait till the Sunpak comes. I'm hoping it will balance my lighting and eliminate the shadows. Also, it is stronger than the Oly and should cure the underexposure issues. New pics are posted in my gallery. Click on My Gallery to the left. I had a problem uploading (the server dropped off) and got some double shots of the big Cabezon. The thing blended so well with the pipe it was on, my wife pointed it out twice and I still couldn't see it till she shined her dive light on it. It was big enough that it probably would have been legal size for a lingcod and it was so sure it blended in that it just sat there for me while I took 5 shots and a SuperMacro right in its eye.
__________________
#195


EXIF is camera and photo specific information that is embedded in every file/photo (whether JPEG or RAW) that your camera takes.


EXIF data would most likely have info on the date on which the photo was taken (specific time), shutter speed used, aperture setting, flash on or off, metering used, exposure compensation and so on...


More detailed explanation of EXIF here..
What is EXIF data?


#215


You're too close for macro. I think the macro range starts at about 8-10 inches. If you want to be right on top of the subject, you'll need to go to super macro, which gets you down to about 3/4". In supermacro, the flash will only work in slave mode, and you'll get a lens shadow if you're too close, unless you're using a strobe. I think you might be able to turn on supermacro in the UW macro preset, but it will change back when you turn off the camera. One solution is to set up UW macro with your resolution and focus choices as a My Mode. Set the settings where you want them. Go to "Camera Set-up" menu. When you set the "My Mode" number, right click one more space where it says, "reset, custom or current". Click current settings for the "my mode" # you want to use, and it will stay there. That way you can set it up for manual or autofocus, auto spot focus, isp focus, etc. If you use manual focus, you can scroll the focus up or down using your menu buttons, and it will give you a screen with a slider bar that starts at 3/4" and works its way up to 8". If you pass that, you get a second screen with the next range, etc. Another issue with UW macro, is in dark water, you'll get a fairly slow shutter speed, i.e. 40-60. If you have surge and move a little, you'll get a blurred picture. You might try going to manual settings in "my mode". Start with maybe shutter speed of 80 on f4.5. Do a test shot at your depth. The camera will scroll shutter speed with the up/down buttons, f-stop with the l/r buttons. Check your screen immediately after a shot for light level and adjust accordingly. Another key is make sure you wait for the focus light to blink if you're in autofocus. Generally the screen will go kind of grainy when it does.


#232


My camera always indicates 86 RAW shots on a 1 gig card. I can usually squeeze another 2-3 HQ's out of it when I get the blue screen on RAW. On the Oly flash-I might get better results on macros with the FL-20 by continually using the diffuser, but so far, I haven't figured out a way to keep the stinkin' thing on there. The slightest current, surge or camera movement knocks it off its little pegs-let alone trying to adjust the strobe position for my next shot. The Sunpak gave me way better lighting while it worked. I do have to admit, I like the housing system better on the Oly. Like the camera housing, the flash housing seems to be simple and relatively trouble free.


#243


Just got back from Albion (near Fort Bragg) on an annual camping/Abalone diving trip. Great fun, got my first Ab. 47 degree water, big waves, all good. No pictures except topside shots of the divers and the eight abalone we had for dinner. Let's see, at $120 a lb., that's about a camera/housing/strobe worth of dinner! Pretty much everyone limited except for my wife and I.


Sharkbyte:
On the strobe, for wide shots, the stronger the merrier. For macros, whatever you're using will probably be set on minimum, with a diffuser. In California water, the only way you're going to get good lighting for wide shots is with a good strong strobe on a long arm to prevent backscatter and a wide angle lens to get the whole subject from a closer distance. The key is get closer. I suck at lighting, so I'm sure someone else can answer this better. Any strobe is better than none, but they do make lighting more challenging. The built in flash will work great on everything but supermacros, but in our water, you'll get lots of backscatter on anything more than about 18 inches.
There are lots of posts on strobes, and they're fairly universal-basically hardwired ttl type or optically fired slave type. They both work fine, but ttl should be easier as it sets itself for the light conditions the camera sees through the lens at preflash. In the Oly housing, the only ttl option is the Oly flash unless you have the Heinrichs/Weikamp bulkhead replacement, but there are a lot of very nice slave strobes out there that work fine. The SP gives you 10 levels of manual adjustment. Most slaves have multiple adjustment levels for flash strength. Turn the dial, take a shot, check the lighting, readjust and retake. You'll get used to setting it for various conditions once you're familiar with whatever you buy.
Linda:
I haven't had any such problems, so I can't really answer that. It's odd that it happens in only scene mode. I have never used AA's. I have a R-CRV-3. The firmware fix is supposed to keep the low battery light from going on due to the lower voltage of the AA's. The CRV-3 the camera comes with is 3v. The alternative AA's are generally only 1.2v each for a total of 2.4, so the camera thinks the battery is low. The batteries seem to absorb more charge after they are charged a few times. I would certainly be concerned, take note and keep an eye on it, in case it needs to be returned for a warranty repair. In the meantime, I would charge it, use it and see how long it will go without quitting. I generally charge after 2-3 dives plus downloads. About 1 1/2 hours of continuous on use. When the battery dies, you'll know it. The camera will go black, but the lens won't retract until you recharge the batteries and put them back in. My charge indicator is pretty much always green till the thing dies. I just use it and keep a regular charging routine. Generally, I'll have it all charged up before any problems.


#268


Go to manual mode. Set the settings you want. Then hit the menu button and go to mode menu. Scroll down to set-up. In set-up, scroll down to MyMode settings. Right scroll to "Current Settings", then click it and specify which of the four MyMode numbers you want it on. I set mine with one on wide settings, one on macro, one on supermacro, each with different flash settings and base settings for focus type and f-stop/shutter speed. Once they're set, you can alter the f-stop and shutter speed while you're shooting with the up/down or right/left buttons. You can also go to manual focus by hitting the menu button and left clicking to focus mode, then adjusting your focus distance.


#386


Super macro helps with anything closer than one foot. Try adjusting your focus from multipoint to spot focus. Higher f-stops will get you a deeper focal range. The biggest problem is focus close up in low light conditions. A spotting light helps. Another thing you can do is focus on something bigger the same distance as your subject. Hold the button halfway down for focus, then move back to your subject. Nice pics, BTW. Lately, for really close shots in poor light, I've adjusted one of my MyModes to a super macro setting. I use F8 @1/125 and manual focus, then I take 3 or 4 shots of the subject (framing) from slightly different distances. Start where I think 2 inches is, then move back 1/4", 1/2", etc. I also adjust my strobes between shots depending on what I see on the previous pic.


#420


The beauty of MyModes is that you can get into any with just two key strokes-hit the menu button, then scroll to one of the four modes. If you set up for manual WB, you have to hit one more button while pointing the camera at sandy bottom or a dive slate. I don't use manual WB as I shoot almost exclusively with strobes. I too have found manual focus challenging. Generally, from a foot or more I don't need it. The two times it is advantageous are SuperMacro, when focusing in low light is near impossible, and for fast shooting at longer distance where the exact distance isn't critical. Another nice thing about the SP is the ability to program any button as a shortcut. If you spend some time in the advanced manual, you can learn to set your most popular mode changes to a shortcut button and do them with a single key stroke. An example is that in Cayman, one of the divers on our boat had a rental camera from Cathy Church, and they had programmed the "AEL" button to change MyModes. All he had to do was press it to scroll from one to the other.
 
WOW!!! lots of stuff there. Thanks!!
 
playing around with the settings, and found the "digital zoom" it seems to double the zoom! Whoo hoo!!! Macro, here I come!
 
No external strobes for me.. I am really resisting the urge to move from enjoying the dive and "getting a good shot."
Gert, I just reread your comments, and after 20+ dives since you posted your helpful comments, and lots of playing with my camera, everything you post carries a new meaning. THANK YOU!!! Downloading the manual also helped.
With that said, this is from today's dive.


I am playing with the RAW setting on my camera. Lots of mixed results. Sometimes I get lucky, mostly I delete. Here is a couple of the better shots.

Frogfish eye. Cropped most out, thus the loss of clarity.. Still the fact that I was able to do that is something I could not do 3 months ago with this amount of success.
205272_10150929096803531_154794177_n.jpg


Frogfish LOVED the reddish hue on him. Glad I was able to capture it.
555913_10150929097008531_27652549_n.jpg


Seahorse.. yeah, I went a little dramatic on the settings in post edit. :)
599951_10150929097143531_1931323692_n.jpg
 
Jenny, your energy and high-spirit conveys through your enthusiasm.

A few feedback suggestions, having shot for 7-8 years with the SP-350.

the lower the ISO, is greatly reduced noise, or pixelation of the photo. I'm guessing with your ambient light shots, you're at 200 or more likely at 400.


I'm trying not being critcal, but as feedback, your shots are very flat and 2 dimensional...........mostly due to the lighting.

A faster shutter speed = a darker background and then your subject pops out, if you have a strobe.

Lower the ISO film speed setting to 50 or 100, get some INON 165 fish eye, or Macro Lenses (see my sig line) and even a basic strobe, and your photos will jump out with as much snap and energy as the photographer......

link to what I was able to do with these "old school" cameras, shooting with 50 ISO, and close up lenses.

http://www.scubaboard.com/forums/ol...rock-house-philippines-muck-macro-heaven.html
 
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