I actually really LIKE diving with a photographer in a target-rich zone. Almost nobody dives slowly enough to suit me -- everybody wants to rush along to find the next cool thing, when it's often right under your nose. I've always figured that, during the shooting process, it's simply incumbent upon me to remain close enough to the photographer to be able to solve any dire issues in spite of their distraction. I've actually done the drill (exhale, decide I'm OOA, swim to photographing buddy, get his attention, get gas) and it set very clear limits for me on how far away I'll wander. But in a lot of places, while the photographer is getting "that shot", you can find a whole bunch of other interesting things to look at, or to feed to the photographer for the next picture. For me, that's a very fun way to dive.
Where it doesn't work is where targets are sparse, and I sit and hover and work on my back kick while the photographer takes umpteen pictures, and then swims vigorously off before I've even had a chance to see WHAT he was recording with such enthusiasm
I have to admit, though, I've never dived as a buddy with the kind of photographer who goes down with a specific shot in mind as the purpose of the whole dive, and spends 20 minutes sitting in front of a hole, waiting for the critter to do whatever he wants to get a picture of. I don't think I'd like that; those people either need to hire escorts or dive solo
Where it doesn't work is where targets are sparse, and I sit and hover and work on my back kick while the photographer takes umpteen pictures, and then swims vigorously off before I've even had a chance to see WHAT he was recording with such enthusiasm

I have to admit, though, I've never dived as a buddy with the kind of photographer who goes down with a specific shot in mind as the purpose of the whole dive, and spends 20 minutes sitting in front of a hole, waiting for the critter to do whatever he wants to get a picture of. I don't think I'd like that; those people either need to hire escorts or dive solo
