3D diver
Contributor
Thank you.
That Eye-of-Mine case is interesting, but you can't control both cameras and they aren't quite aligned properly. For now you have to use the H3's like I'm using the Looxcies, i.e. mount their underwater housings side-by-side, shoot simultaneously, and fine tune the time alignment in your video editor.
I had a small wrench rubber banded to the bottom of my tray in case one of the mount bolts loosened. To aid in time alignment I would rattle the wrench after starting each camera to create a spike in the audio track. But when editing I found my exhaust bubbles created enough audio spikes so I didn't need the wrench noise after all.
That Eye-of-Mine case is interesting, but you can't control both cameras and they aren't quite aligned properly. For now you have to use the H3's like I'm using the Looxcies, i.e. mount their underwater housings side-by-side, shoot simultaneously, and fine tune the time alignment in your video editor.
I had a small wrench rubber banded to the bottom of my tray in case one of the mount bolts loosened. To aid in time alignment I would rattle the wrench after starting each camera to create a spike in the audio track. But when editing I found my exhaust bubbles created enough audio spikes so I didn't need the wrench noise after all.