I'm not sure what you're referring to by 'optically correct'. They have wet dome ports that attach by 67mm threading to flat ports in order to affect in-water correction; these are made of acrylic only and come in 4-inch and 6-inch sizes. They also have dry dome ports that mount on the housing via their proprietary bayonet. These come in three mounts - they don't have specific marketing names, like, say, Nauticam N85/N100/N120, but they are differentiated by internal diameter, that being 80mm (used on the RX100 and A6xxx Salted Line housings, as well as the old Sony A7R II and Panasonic GH5 models), 90mm (used on all current plastic housings, including Sony a6600 and a6700), and 120mm (used on their metal housings). The dry ports come in a variety of built-in extensions, targeting different lenses. The 90mm and 120mm systems also have extension rings that you can buy, but the 80mm system doesn't. The 80mm system has domes in 4-inch, 6-inch and 8-inch sizes (although by my measurement, the 8-inch dome is closer to 170mm), with the 4-inch dome lacking any kind of extension and only available in acrylic, while 6-inch and 8-inch have a choice of acrylic and glass. The 90mm system only offers 6-inch and 8-inch domes, again, with a choice of acrylic or glass. The 120mm system offers 180mm and 230mm domes and only in glass - no acrylic. The domes have no built-in extension, but extension rings are available. There are no adapters/converters between the two systems, unless you make your own (I'm working on making one for the 4-inch dome to use with a Tokina 10-17mm on the a6700 housing).
The domes that I used for those test shots are 6-inch and 8-inch acrylic models with the A6xxx Salted Line housing and a6300 camera.