Having shot still photos of macro work, I mean critter stuff smaller than your pinky fingernail..............everything is a compromise. Post processing and zooming in/cropping with the Go Pro may also comes into play at the higher resolutions, but no, a go pro isn't going to capture a 1/2" nudibrach worth crap for image quality to fill your 60" big screen tv.
Some people seem to keep forcing the GoPro into an extreme environment that it's not built for.....low light depths......cave diving....... or macro...........I shrug.........Meanwhile I spend hundreds of dollars on wet mount wide angle and fisheye INON lenses to turn a point and shoot still photo camera into something that it's not...........a wide angle almost a 165 field of view camera. <see my sig line of hiding $1000's of dollars from my wifes visa bill?>
Ain't no one magic bullet people.
heh heh, lets get back to simple topics like $20 filters and the best $49.95 lighting rig? <groan> <grins>
On a good note you can recycle all those AD lenses with either a second hand Canon S95 or a fresh new Sony RX100 and the results are spectacular
An RX100 with all the lenses you have an your sola would be a real monster