I recently acquired my first canister light--a lightly used Light Monkey 21W HID. I have been diving DIR in single-tank rec configuration for a year or so now since my Fundies rec pass, and am gradually expanding my horizons. Now that I have reached the point where I can consistently do an S-Drill without getting all out of kilter, I am adding the can light to my repertoire. Does anyone know of a video that shows someone doing an S-Drill with a can light with enough clarity that I can follow all the movements? As I recall from observing Fundies students who were attempting the course in tech config, there was a specific GUE-approved way to manage the cord (but of course). I recall the instructor teaching some mnemonic device about "the drill is UNDERway" and "the drill is OVER" to help one remember whether the cord goes over or under the long hose, but that's all I remember. I found a few old SB threads discussing cord management, but I suspect I really need to see it done to understand it.
What else does one need to know about can light usage (besides the obvious things like the specifics of signaling and light etiquette)? For example, while I understand the light is normally held in the left hand during a dive, it has occurred to me that there may (?) be times when it is appropriate to shift the light to the right hand, and times when the light is to be clipped off. What are they?
I tried out using a can light once before, and I recall finding it difficult to pull the rear dump with that monster light head Goodman'd to my hand, so I momentarily shifted the light to the right hand when I needed to dump. By the way, just how is one supposed to grip that handle? I found a few old threads discussing modifying it with neoprene pads, etc., to fit smaller hands more securely. Is that frowned upon by GUE? From my admittedly novice perspective, the traditional U-shaped Goodman handle feels like an ergonomist's nightmare. Surely that thing could be shaped less crudely, in a way that is not so clumsy to grip.
On a related note, are there any tips for holding the Goodman handle while using a reel? When I tried this, my poor little hand felt overwhelmed. It was difficult to extend a finger to put friction on the reel. I am thinking a side-winding reel might be easier in this respect than the top-handled (Dive Rite) reel I was using.
Lastly, what is the deal with using the focusing feature? Does anyone other than a videographer really need to spread the beam during a dive? I would think that even in a large cave room one would be more likely to paint the room with the beam rather than spread it. I suspect this feature is more of an afterthought--something that any bulb-and-reflector-based lamp can be made to do simply by moving the reflector.
That should be plenty of questions to start with
What else does one need to know about can light usage (besides the obvious things like the specifics of signaling and light etiquette)? For example, while I understand the light is normally held in the left hand during a dive, it has occurred to me that there may (?) be times when it is appropriate to shift the light to the right hand, and times when the light is to be clipped off. What are they?
I tried out using a can light once before, and I recall finding it difficult to pull the rear dump with that monster light head Goodman'd to my hand, so I momentarily shifted the light to the right hand when I needed to dump. By the way, just how is one supposed to grip that handle? I found a few old threads discussing modifying it with neoprene pads, etc., to fit smaller hands more securely. Is that frowned upon by GUE? From my admittedly novice perspective, the traditional U-shaped Goodman handle feels like an ergonomist's nightmare. Surely that thing could be shaped less crudely, in a way that is not so clumsy to grip.
On a related note, are there any tips for holding the Goodman handle while using a reel? When I tried this, my poor little hand felt overwhelmed. It was difficult to extend a finger to put friction on the reel. I am thinking a side-winding reel might be easier in this respect than the top-handled (Dive Rite) reel I was using.
Lastly, what is the deal with using the focusing feature? Does anyone other than a videographer really need to spread the beam during a dive? I would think that even in a large cave room one would be more likely to paint the room with the beam rather than spread it. I suspect this feature is more of an afterthought--something that any bulb-and-reflector-based lamp can be made to do simply by moving the reflector.
That should be plenty of questions to start with