I have to admit I've never used the Aqualens for over/unders, since they are sooo much easier to compose with a housed SLR.
Anyway, there's two issues: about 2 to 3 stops of exposure difference between topside and underwater (depending on water clarity and position of the sun in the sky), and, focus.
Focus is the easy part. Set the lens for close hyperfocal. Do this by using (for example) f22. Using the little orange depth-of-field tick marks, align 1 mark with the right hand tick mark (or a little closer). You then look at the other orange tick mark to tell you how close your above-water objects can be.
As I recall, I could only get this to work with a 20mm lens behind an 8 dome port. A 6 dome port with a 20mm would only have objects out to a couple of feet in focus.
Using a 28mm, depth of field is so small (relatively speaking) that using a 6 dome, you might have something above water a foot away in focus, and with an 8 dome, maybe a couple of feet.
Using a 16mm Fisheye, the depth of field is huge, although it will take some stylish composition to hide the fisheye effect from the above-water portion.
My preference is for rectilinear when it comes to over/unders, because the human eye really notices fisheye when it comes to the above-water portion. If this is the same for you, you would be forced into a 20mm (great lens) behind an 8 dome. The Aqualens will easily accept an older screw-thread 8 dome, although they are not to be found anywhere now. Blame Ikelite.
This whole thing with depth of field and hyperfocal can be mostly avoided by using a split diopter. This is a conventional diopter that has been split in half, so the bottom of the lens looks through diopter, and the top half, through no diopter. These are pretty expensive, if you can even find them. Maybe about $120.
As an example, attached is a 20mm f2.8 lens set for hyperfocal behind an 8 dome port (virtual image at 0.4 meters).
All the best, James